vivid array is a fierce uptempo track that pays tribute to some of the techno pioneers, originally to be released on clone together with >what to do< and a third track in the vein of vivid array. pure dancefloor xtc. very much recommended!

here we bounce again! after 6feetunders fierce blast-off in 2006 he is back again, butt-banger dj minupren !! including remix by master of abschuss, sascha ewe

alfred azzetto is back on purple music with the feel good massive anthem colors, which was one of the most played promo cuts at this year winter music conference. interestingly djs all the time played an acapella over it but also the instrumental melody sounds great. part one includes the walterino main mix is a fierce production featuring classic strings and wicked keys that give the track a modern disco sound, while the piano mix is on a deeper edge, with a great piano hook added (that is reminiscent of bas noir my love is magic). part two includes a full vocal mix & the remixes from dj fopp & christian hornbostel, which will be out end of october. it was worth to wait some months for the release of this tune!

following their celebrated >meat is murder< ep, meat, aka carsten schuchmann, teams up with get physical regular einzelkind, arno völker and migual ayala, for >words from the frontline<. the ep opens with its title-track, words from the frontline. indeed, the word >frontline< is appropriate - the firm kickdrum sets the tone and pace before a hi-hat tattoo reminiscent of a military march asserts itself. rushing synth effects edge in from the sides before the track expands to accomodate a bending, feintly jazzy keyboard motif. this is quickly absorbed into the tracks fierce, linear 4x4 progression, and the addition of crisp snap-claps make this a winning modern take on 2nd wave detroit-style techno.

big with steve bug, matthias tanzmann, argy, marc schneider… dash dude is back with another great release and some hot remixes! >tell em in the city< is the dash dude trademark sound: his unique voice combined with minimal deep yet freaky sounds - as we all loved it on his album >the televison saga<! some fierce remix work comes from berlins prosumer (playhouse, ostgut), who adds his own voice to the track and makes it nearly his own tune fabulous old schoolisch house!

back after a year of grueling production schedules, the tag team duo of peter funk & kevin yost drop the fourth installment in thebeatkilla series. the release of their 2006 album drew critical acclaim as some of the most innovative house music ever and now in2007 this double a side ep picks up right where they left off.first this ep features a techy groove driven explosive track entitled not long ago. its fierce synth work is only matched by its hypnotizing rhythm. a must for lovers of the beatkilla releases. this release also features the grunt, a combination of patented big sexy electronics and some scat based vox

>the dawn< is a moody, undulating cruiser of a track, which will subtly but surely make a dancefloor feel a sense of sunrise, whatever time of day or night. busy, clicky percussion sets the scene for a full-bodied, rising, almost trancey bassline to take control. t ups the intensity with real dancefloor nous and precision programming, layering distressed synth sounds and heavily treated keys atop each other while never losing sight of the tracks fierce ,fundamental groove. ‘the dawn’ builds and builds, by turns dropping out the percussion and the bassline, every departure and return a heads-down, hands-aloft dancefloor moment. the crisp snares and rich, melodic notes of delay add even more depth to what is already an essential tune. b-side >jam pot< is more playful, and driven by a classic physical bass melody - at once intimate and techy, dubby and dancefloor-urgent, gritty but optimistic. again, the attention to detail on the percussion takes this track to the next level, and jazzy keys provide an organic ontrast to the robotic blips and bleeps.

the best bit about the muscles is the muscles. super explosive neu-rave-ish guitar drenched dance music for the hottest clubs from berlin to tokyo to sydney to paris… fierce vocals, out of time harmonies over the top of soft trance synthies + a dose of solid techno. whatch out for the muscles!

on the a side the bee low remix is a masterpieceof a remix that aims at moving people with hypnotic, repetitive grooves and fierce build ups. flip over for the original timothy l version and chev chelios an intensive track you wont forget as it haunts you with its whirring synths, a driving synthetic beat and an almost melancholic feel

mr. >consistency< john dahlbäck is unstoppable. rarely anyone is able to deliver so many dancefloor grenades in a row. >i slide (flatfoot mix)< is just another slamming electro flavoured monster tune with a rather uk-garage styled bassline, cool vocals and fierce house drumming – put together in a stunning arrangement. the original mix starts less offensive but then turns into a gigantic rave anthem! jd doesnt take any prisoners with the last cut

the new half cousin single big chief comes with an exclusive remix by the earlies. this is the lead single form the album and sums up in four minutes what the band is all about. the single also comes with the first ever remix the earlies have put their official name to, and a electronic upbeat offering from the fantastic dextro. half cousin also deliver these songs to captivating effect live with acclaimed artists martin slattery and anthony genn (the hours), jamie morrison (the noisettes), jimmy hogarth, the earlies and fellow scot kt tunstall all lending a hand on stage in developing this fierce reputation

supported by djs like punks jump up (kitsuné), munk (gomma), radioclit (uk) after releasing hyped 7inch singles with klaxons and kleerup ft. robyn risky dazzle is very proud to announce the release of this harlem bomb. harlem is a stockholm duo that consists of johan skugge and martin thomasson, they have previously released records on gramme and service and have been championed by tiga among others. this techno acid anthem is one of the most defining dancefloor 12inch singles of the moment. genre destroying, fierce and rocking, >cat scratch< is a pumped up 303 stomper with a demented acid line that hauntingly stalks the listener as the relentless beat is built up and broken down. much in the same way as mmms >donna< did in the late 90s, >cat scratch< takes back dance music to its raw, dirty basics. on the flip side, >kidney shot< pushes the noisy whereabouts of the a-side one step further. technoid and funky, it is bound to set the dancefloor in motion

robb scotts third single from his glorious debut album afro odyssey is called revolution (future love) and features the gorgeous miss theasha faison. what a song! this one has it all, funky and catchy rhythms, great vocals and deep lyrics. a true statement towards the so called new world order! to calm things down the beat baron out of the dutch country, kid sublime comes up with a dope and reflective version of revolution. on the flip the great seiji from the mighty bugz in the attic collective turns things upside down and drops nothing less than a futuristic dance masterpiece! blessing us with a fierce vocal and an insane dub version. peace to seiji for those straight up booty bouncing rhythms

tony senghore is no stranger to the world of electronic house music. after countless releases under various monikers including records for paper recordings, music for freaks, underwater and seasons he now graces john dahlbäck s incredibly successful pickadoll imprint with his particular definition of driving & playful dance-floor insanity. way out is based upon a non-stop bass line and perfectly embodies tony s advanced musical temperement by including oriental melodies and fierce efx. careful you don’t lose control on the dancefloor! ‘way off’ on the flipside displays his ability to combine bass-heavy rhythms with simple, keen riffs – but no less mental for it!

next up on oliver huntemanns label dance electric is ladomat artist and graphic designer ascii.disko aka daniel holc, mostly known for combining the dark & melancholic shades of wave & alternative rock to floor rocking electro trenched dance beats. >closer< is no exception from this rule, a super simple and keen bass upon some fierce drum programming build the perfect ground for his seductive vocals. incl club mix and arnaud rebotini (blackstrobe) remix

the 4th release on john henry come from the label boss himself: zoo brazil. everybody knows zoo brazil from various releases on many many labels including music for freaks, get physical or harthouse… bitch boys is their latest elaboration of electronic dance floor dynamite… synthetic dance music with fierce basslines, simple synth licks and kool drum programming with a certain dose of funk. digital garage culd be the name of the game!

nice price deal !!! electrohouse bigroom house cover of fierce ruling diva

label owner glenn wilson kicks of his 2006 assault by teaming up with stockholm new breed manuel fuentes. a1 sees glenn lay down a slamming stripped down twisted fat cut, >make um clap< which rips through some analogue sequences and pitched voxs, while keeping some solid twisted funky edits this cuts never eases up from start to finnish, manuel pumps the b1 with unity a fierce slammer which breaks down into nice grooves while layered with funky drums and percussion. glenns >we got too< cut, completes the release with once again a tough voxed workout appealing to the harder funk mob

in association with afterdark records and broke recordings, 20k freaks is proud to present the next freakish release, featuring an original production from label artist agent k, alongside jbreak. the original mix is one of those belters that causes a massive stir on the dancefloor and makes every person spaz out as if they ve never heard music before. seriously heavy bass line shizzle from the u.s and if that wasnt enough, hardcore beats screwface steps up for remix duties and does what everyone thought was impossible, by turning it into even more of a stomper and creating a devastating effect! pure synth madness with fierce non stop chugging beats rolling from start to finish

"it is with great pleasure delecto recordings presents andy lee aka central ave and his latest release "for only you". the original mix provides all the usual magical touches we ve come to expect from andy soft chords, a rolling bassline and funky ass guitar which amount to a smooth soulful groove. in his soulspinner mix, ca turns it up a notch with a fierce stab and catchy rhodes hook that seems to make you want to wiggle from the very start"

this ep is an exclusive collaboration between joakim and former minimal compact singer samy birnbach, an offshoot of dj morpheuss compilation >i cant live without my radio< in a punk-funk vein with raw analog synths and fierce guitars (featuring panicos guitarist, memo dumay). on the flip side, we have asked rub n tug, probably the best remixers in 2005, to put their hands on minimal compacts nil nil. gothic electro disco !!

good vibe anthem with its rolling beats smooth synths warm bassline and sexy vocal that just makes you feel like everythings all right and all backed up by a fierce dancefloor re rump from head honcho yoof who toughens up the original and turns in a peak time scorcher

the new tombone brings you two fierce detroitish electro banger by michael ford.reminiscent of a dark futuristic soundtrack, in >gallowgate< gnarly and sizzling cascades of synth chase each other over a choppy, skanking break-beat stewing up a more and more pressure before bursting into a full frenzy with a punchy 4/4 beat. >bellgroove< on the flip keeps it nasty with its anarchistic bombardment of dirty, raw synth noises over a hard-hitting electro groove

two of the hottest producers around did some fierce remix work: mister >love dose< argy of pokerflat fame and matthias >bulldozer< tanzmann, head of moon harbour and dj all around! argy delivers two superb mixes: the >horserider mix< is very close to his pokerflat material and works with different layers, whereas the >morris audio mix< is a more stripped down pumpin club tool! matthias tanzmann turns >apply to peopley< into a real minimal monster

two monstous stormers from one of the most brutal hard techno artists around, robert natus aka brainshaker !! driving industrial kicks are spiced up with fierce distorted snares, hats, fast and freaked out breaks !

an uncompromising urbanpunk prodigy style breaks monster from breaks mc ivory huge guitar licks and infectious vocals keep the original fresh and fierce flip for usual highoctane dancefloor devastation mixes by the breakfastaz (sb)

lets welcome gregory shiff to iron box music! a fantastic musician who has proven himself over and over again with various eps on persona, matter/form and lo-fi stereo!! deepness and funky rhythms is the key with this record.. super-techy flavor remix by meatrik

peaktime hardgroove monster ! fierce drums grinding subbasses - combines spooky detroit synth with dark spoken vocals ! support by chris liebing, dave clarke, dj preach, surgeon !!

debut release from adultnapper aka francis harris, matter:-form's label owner. inspired by his dj sets, this rests somewhere between minimal, acid and electronic house – a perfect dj tool. on the flip is his sycophant slags partner, the legendary mr. c w/ a fierce 303 laden remix. a true club monster

two massive neo rave crackers in the vain of blackstrobe or volga select: hypnotic & rough basslines, fierce drumming and ecstatic arrangements meet pure synth madness! played by boris dlugosch

utraphat bassheavy percussive harder floortechno…incl dj misjah remix!!!

a massive atmospheric floor bomb, fierce & smooth at the same time. this will cause an hysteric stir in the world s techno & house clubs. essential

vibe of berlin from 1990-2000

defected presents david penn on 2 cd compilation

suction records is proud to present the 2nd full-length release from rx-101, showcasing a selection of standout cuts from dutch producer erik jong s vast archive of previously-unreleased techno, idm, acid, and electro, recorded to cassette from 1997-1999. as with rx-101 s 2016 debut lp, like yesterday, which was compiled from his 1st two vinyl eps, transmission compiles material from his recent 12-s, ep 3 and ep 4, adding four bonus exclusive tracks. mixing the high-octane, fuzzed out 303 acid techno of ep 3 with the crunchy, melodic electro and idm of ep 4, transmission emerges as a fierce, yet surprisingly cohesive journey into late 90s electronix, and belongs in the collection of any discerning fan of warp records or aphex twin s celebrated 90s catalogs.

capsize recovery takes the listener on a ride through a very dark universe of gloomy sounds and atmospheres. the eight rather longish tracks of the album are characterized by senkings epic signature sounds - creepy hovering bass lines, clean and slowed down drums, paired with oscillating and sometimes fierce synth melodies and shots. with his extremely deep and dubby arrangements that explore the depths and abysses of bass heavy music, he again is able to create soundscapes that convey a subtle sense of unease or even fear, as if they were the soundtrack to a mysterious and disturbing film

its all too easy for nostalgia to tip into something negative. at its best its a celebration of the best the past has to offer while putting it into a contemporary context, at its worst its moaning that things arent as good as they used to be. hercules & love affair have always been firmly in the first category. main man andy butler takes classic house and disco sounds and uses them to craft dance music that has one foot in the past, the other cutting a rug on dancefloors right now. its a well-judged and expertly executed balance.

3x cd set with pumpin uplifting ibiza house

trust now is the keystone album of brooklyns prince rama. the album takes the kaleidoscopic mysticism of ancient devotional music and focuses it through the fierce urgency and archetypal language of pop, forming an environment that is both accessible and impenetrable. first conceived as a ritual to be performed live, the songs were fittingly recorded inside a 19th century church in seattle by scott colburn (sun city girls, animal collective, arcade fire). as their 5th full-length album, and first as a duo, trust now is perhaps prince ramas most focused, cohesive and powerful album to date.

mindtrick records proudly presents the new album by hollands favourite hardcore artist charly linch. after two previous releases on the label he is now ready to drop his full length. on filthy pleasures charly linch combines the fierce sound of uk-hardcore with the harder elements of drum n bass and gives it his truly unique spin. he doesnt shy away from using old-school rave samples and ridiculously filtered gabba-kicks, without it becoming comical or cliched. on this album he found the perfect balance between creating an album that is banging on the dance floor, yet intriguing enough to be listened to in the comfort of your own home. this releases offers a wide range of genres for those seeking out where harder music is going, ..it could do with some more cowbell!

mighty clouds is a brand new project that finds thomas re-teaming with betty marie barnes, a talented singer who provided vocals for slgtms every night and fill up the room.the result is a collaboration of the sort that can only occur when two musicians connect on a level that goes beyond the songs they are performing. throughout mighty clouds self-titled debut, thomas and barness musical camaraderie generates a gentle electricity that exudes intimacy and beckons the listener to move in for a closer listen.

musikalisch ist drums between the bells die abwechslungsreichste arbeit enos seit jahren. perkussive tracks, basierend auf industrial/noise, rock oder ethno-elementen wechseln sich ab mit elektronischen oder klassischen listening-passagen von erhabener schšnheit. doch das album ist mehr. sŠmtliche tracks sind mit gedichten des lyrikers rick holland versehen, vorgetragen von eno persšnlich oder personen seines umfeldes (fitnessstudio, ladenangestellte, buchhalter, grafikdesigner, ...). jeder trŠgt seinen part inviduell unterschiedlich vor: narrativ, per vocoder verfremdet, als mantra, mit echo verhallen, stakkato, hypnagogisch, als gebet, abstrakt. eno nennt sie speech-songs. seine arbeit ist eine innovative kombination aus musik & text, eine neuartige form von sprechgesang und sicherlich sein interessantestes werk seit langem!

babylon by car is entirely in this ambiguity, between nostalgia and modernity, between pop and post-punk, electronic music and rock, past and future Ð its where kraftwerks >men-machines< celebrated an endless future with obedient machines. botox summons the ghosts of the century, from cybotron to wire, from fad gadget to john carpenter, to give birth to greatly personal music and, in all honesty, a rather unique sound in french electronic music. botox doesnt swagger to keep their motors running. both melodic and fierce, >babylon by car< comes as it is. and its probably the best way to take it in

two years have passed and much has changed since gui boratto shot to prominence with his kompakt debut >chromophobia<. a much needed spot of colour amidst the minimal milieu, guis mixture of fierce production skills and a blissful pop sensibility have characterized his trajectory to the techno heavyweight before us today